Forest Summons (for Lilith), silk/rayon blend (velvet, crepe), silk (fringing, organza, chiffon, satin, moire, embroidery), rayon (satin), cotton (lace), polyester (satin), diamantes, dye, thread, stainless steel, aluminium, steel cable, lead weights, electromechanical components, microcontroller, dimensions variable

Mechanical design and fabrication: Laundromat Fabrication; Computer programming: Dan Parkinson; Cutting and sewing: Sera Milligan, Tiff Alwis, Louise Meuwissen; Fabric dyeing: Cullachange;

Melbourne Now, 2023, Ian Potter Centre: National Gallery of Victoria, Australia

Studio interview with Hannah Gartside ahead of Bunnies in Love, Lust and Longing, presented by Tolarno Galleries at Melbourne Art Fair, 2025

Floating Prism, 2016 (remade 2025), tulle, found lace fabric c.1960, thread, in ‘the veil’ @buxton_contemporary
Here are some of the last bunnies I’ll make before I leave this place. The first couple are a gift (yew!), and on the second slide is one for me to take in my suitcase next month when I move to the Netherlands to start my MFA, with deepest grat
Returning (2025) powder-coated steel, sequinned dresses c.2020s, thread, deadstock polyester tulle, ostrich feather trim, cut glass beads, 72cm x 140cm x 60cm, image Christian Capurro This is a piece for being with, and underneath: an object with